Texts and Writings/Orhan Pamuk - Istanbul 25

The Destruction of the Pashas' Mansion: A Sad Tour of the Streets(1)

The Pamuk Apartments were built at the edge of a large lot in Nisantasi that had been the garden of a pasha's mansion. The name itself, meaning "target stone," comes from the days of the reformist westernizing sultans of the late eighteen and early nineteenth century (Selim III and Mahmud II), who placed stone tablets in the empty hills above the city in those areas where they practiced shootin..

Two-The Photographs in the Dark Museum House(6)

If evil ever encroached, if boredom loomed, my father's response was to turn his back on it and remain silent. My mother, who set the rules, was the one to raise her eyebrows and instruct us in life's darker side. If she was less fun to be with, I was still very dependent on her love and attention, for she gave us far more time than did our father, who seized every opportunity to escape from th..

Two-The Photographs in the Dark Museum House(5)

If I was too young to understand the underlying cause of these disputes--that my family, still living as it had done in the days of the Ottman mansion, was slowly falling apart--I could not fail to notice my father's bankcruptcies and his ever-more-frequent absences. I could hear in more detail how bad things were whenever my mother took my brother and me to visit our other grandmother in her g..

Two-The Photographs in the Dark Museum House(4)

My prolonged study of these photographs led me to appreciate the importance of preserving certain moments for posterity, and in time I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives. To watch my uncle pose my brother a math problem, and at the same time to see him in a picture taken thirty-two years earlier; to watch my father sca..

Two-The Photographs in the Dark Museum House(3)

Never having seen them put to any other use, I assumed pianos were stands for exhibiting photographs. There was not a single surface in my grandmother's sitting room that wasn't covered with frames of all sizes. The most imposing were two enormous portraits that hung over the never-used fireplace; One was a retouched photograph of my grandmother, the other of my grandfather, who died in 1934. F..